An afterthought of nothing, The sequence of a dream while wide awake, an infinite decade in less than a day. A fast moving car with no tires. An overhaul of them all, in an empty sack. The dichotomy of living among the undead. Monstrous merriment in a peasants ballroom, gilded by nailpolish meant to look gold. A stasis in evolution, paralyzing the survivor. The eternity of the unanswered query, “Why?” Vacuous Echoes resonate amid still life. The lightness of being in the heaviest anchor, the colloquialism in poetry scribed in calligraphy. Epitaphs orated at a birthday party. Monologues memorized by one who is mute. Winks and kisses in playtime of an Elder stoic. Refugees encampment on front lawns of mansions. A whirlybird hovers above a resting cemetary. A ballerina battlement interrupts a quadriplegic ward. Everyday has a tomorrow when tomorrow’s never here. Chaos has a battleground electrified by whispers. Lightening projects in a very arid desert. Life becomes buried below dirt while remaining a seed. A tragedy disguised by comedy while tapdanced on water. A metaphor does not compare a simile in still life. Epochs ejected in a sing-song voice while conclusions announce overtures. The solemn whir from a tykes pinwheel in the wind. Ghastly icons disappear and reappear in a color-splashed flower bed. Smithsonian displaying relics from a refuse erected landfill. Symphonies of Echoes reverberate in a tune-filled of crickets’ hollow chirps. Thus creating this dichotomy of life. L. Faustina M.